Chloe Wilmont

I am a graphic designer aspiring to work in the world of editorial design. My professional interests are centred around art direction, photography, and the creation of engaging magazine layouts.
THIS IS THE PLACE I figured out my future.
‘in the sphere of waiting’ is an infographic publication displaying the human absense when in a liminal space/ a state of waiting. The visualised data using laser cut detailing is inspired by the ‘Droog’ typeface’s circular counters and the poem is collated data sentences contributed by participants.
‘Looking Through’ is a film festival that is centred around cinema that explores a voyeuristic trope. This event and editorial issue invites the audience to watch the watcher, and to take a look through the perspective of the human compulsion of watching others.
‘Looking Through’ is a film festival that is centred around cinema that explores a voyeuristic trope. This event and editorial issue invites the audience to watch the watcher, and to take a look through the perspective of the human compulsion of watching others.
‘Looking Through’ is a film festival that is centred around cinema that explores a voyeuristic trope. This event and editorial issue invites the audience to watch the watcher, and to take a look through the perspective of the human compulsion of watching others.
This photographic series offers a surrealist lens to reveal the symbiotic dance between humanity and the natural world. Mold emerges as an allegory, its rapid growth as the editorial progresses, is a spectral visual of an ever-growing environmental imbalance, foretelling a future where the human consequence blurs the boundaries between man and nature irreversibly.
This photographic series offers a surrealist lens to reveal the symbiotic dance between humanity and the natural world. Mold emerges as an allegory, its rapid growth as the editorial progresses, is a spectral visual of an ever-growing environmental imbalance, foretelling a future where the human consequence blurs the boundaries between man and nature irreversibly.
This photographic series offers a surrealist lens to reveal the symbiotic dance between humanity and the natural world. Mold emerges as an allegory, its rapid growth as the editorial progresses, is a spectral visual of an ever-growing environmental imbalance, foretelling a future where the human consequence blurs the boundaries between man and nature irreversibly.
This photographic series offers a surrealist lens to reveal the symbiotic dance between humanity and the natural world. Mold emerges as an allegory, its rapid growth as the editorial progresses, is a spectral visual of an ever-growing environmental imbalance, foretelling a future where the human consequence blurs the boundaries between man and nature irreversibly.
“Colour represents an unfolding story of creative possibility” - G.F SMITH. This was the notion that sparked our concept for our design. Our concept is to portray the ‘unfolding story’ that colour represents, which we did by capturing the physical G.F SMITH Colorplan paper in motion, folding and overlapping to convey the blending of colour and sound.
A unified series of book cover designs