Aaron Moss

Hey! My name is Aaron, and I’m a multi-media designer from Liverpool who specialises in graphic illustration, typography and art direction. My practice is informed by a range of influences, such as art nouveau style illustrations and deconstructionist typography. I love maximalism, and always like to go big, whether it is small intricate designs that sprawl across or bigger all-encompassing designs that encapsulate the page. My strengths lie in hand-drawing, Adobe software, type design, and photography, which are all mediums where my creative practice thrives. As I graduate, I look forward to seeing what the world of graphic design has to offer me - BRING IT ON!
THIS IS THE PLACE where the printers are shocking.
Maritime is an industrial, Neo gothic style typeface inspired by the architectural features of the Liverpool Victoria Tower, as well as the surrounding docklands. The typeface takes its inspiration from the dimensions of the towers measurements and the rounded corners of the towers embrasures and castellated parapets. The type also takes inspiration from the curvature and passageways of surrounding docklands, canals and basins that encompass the towers environment.
Maritime is an industrial, Neo gothic style typeface inspired by the architectural features of the Liverpool Victoria Tower, as well as the surrounding docklands. The typeface takes its inspiration from the dimensions of the towers measurements and the rounded corners of the towers embrasures and castellated parapets. The type also takes inspiration from the curvature and passageways of surrounding docklands, canals and basins that encompass the towers environment.
Maritime is an industrial, Neo gothic style typeface inspired by the architectural features of the Liverpool Victoria Tower, as well as the surrounding docklands. The typeface takes its inspiration from the dimensions of the towers measurements and the rounded corners of the towers embrasures and castellated parapets. The type also takes inspiration from the curvature and passageways of surrounding docklands, canals and basins that encompass the towers environment.
Life death and permanence is a publication I created exploring the imagery and themes that surround the liminal spaces of graveyards and cemeteries, formulating these themes into 3 specific aspects: Life, death and permanence. Each theme embodies the imagery and layout of each particular theme. Through each chapter the reader is subject to changes in the layout of type, colour and visual imagery.
Life death and permanence is a publication I created exploring the imagery and themes that surround the liminal spaces of graveyards and cemeteries, formulating these themes into 3 specific aspects: Life, death and permanence. Each theme embodies the imagery and layout of each particular theme. Through each chapter the reader is subject to changes in the layout of type, colour and visual imagery.
Life death and permanence is a publication I created exploring the imagery and themes that surround the liminal spaces of graveyards and cemeteries, formulating these themes into 3 specific aspects: Life, death and permanence. Each theme embodies the imagery and layout of each particular theme. Through each chapter the reader is subject to changes in the layout of type, colour and visual imagery.
illustrations i designed based on my inspiration of Aubrey Beardsley and M/M Paris illustrations. Hand drawn designs using ink
Project done in collaboration with the sound design agency Father and paper company GF Smith. The project was based on synesthesia a condition in which one sense is experienced by another. I created a outer cover and inner sleeve for their distinct soundscape based on GF Smiths 55 colours in their Colour plan range. I based my designs on how I interpreted the Father soundscape. This soundscape reminded me of 80s and 90s synthesiser sound effects as well as geometrical album designs from synth bands such as New Order and The Pet Shop Boys. The cover design is made up of all of the 55 colours that make up the GF Smith colour plan represented in a tight nit triangular design.
Project done in collaboration with the sound design agency Father and paper company GF Smith. The project was based on synesthesia a condition in which one sense is experienced by another. I created a outer cover and inner sleeve for their distinct soundscape based on GF Smiths 55 colours in their Colour plan range. I based my designs on how I interpreted the Father soundscape. This soundscape reminded me of 80s and 90s synthesiser sound effects as well as geometrical album designs from synth bands such as New Order and The Pet Shop Boys. The cover design is made up of all of the 55 colours that make up the GF Smith colour plan represented in a tight nit triangular design.